My desk (Spring 2025)

Algorithmic processing puts language into a paranoid, fluid state. Texts and their emotional undertones can be systematically shaded in matrices or translated into other media. In this way, emotions can become a pet's name, a description of the sky, or a generated image.

In this work, AI-generated fragments are manually transferred back into the physical realm using a ruler, text template, and cutter knife, and supplemented with spontaneous interventions, drawn grids, and millimeter paper scratched off on the reverse side.

The works play with forms and ideas from conceptual art—as an exploration of the relationship between author and tool, the internal logic of AI systems, and the manual processing of information.